Without a shadow of doubt, I agree with the critics views of Othello never realising the check he played in the disastrous outcome of the play. air sick fate, his mistrust for Desdemona, and Iagos sick, pointless arts definitely did play their dissemble in the tragedy, but, up until his persist words in his last soliloquy, Othello never realised his guilty role. Othellos biggest flaw was that he permit his emotions run the show. He never once reflected and realised this. block out of of being cool, calm and collective in uncomfortable situations or in doubt, which is the way he wouldve displaceed in times of war, his privilege feelings took total control over him. This got so out of trespass that he ultimately turned himself into a cold-blooded murderer. I am a firm believer of fate and that the stars ca-ca required outcomes, some splendid, some tragic. This fate was certainly rub against Othello in the play. It manifested itself throughout the play, bringing abo ut the horrid outcome. cardinal use being when Desdemona dropped the handkerchief in an cultivate of unmingled uncorrupted in Act 3/3/290. Ironically, this went against her when Emelia pitch it and gave it to Iago. Othello because let Iago manipulate him with the handkerchief, which was used as the biggest fake presentment of Desdemona being unfaithful.
An separate instance of fate was the terrible time of Emelia knocking on the door in the final scene, 5/5/86. Had she arrived a minute earlier, Othello would have been delayed with his beastly act, and may have possibly been put off the act all together wit h some word from Emelia. But the freshet t! hat ran against Othello cannot overshadow the how guilty he is. He never checker up the proofs and ended up trusting Iago over his wife. The separate theme that... If you want to get a full essay, juicy society it on our website:
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