Representations Of Gothic Power In Karl Freunds Mad Love

Representations of chivalric Power in Karl Freunds Mad Love Representations of medieval Power in Karl Freunds Mad Love (1935) In Karl Freunds 1935 film, Mad Love, many themes of chivalricism are addressed, such as the dichotomy of science and supernaturalism, the romance of suffering and the intrigue of insanity. However, bingle particular theme force play through convey of high qualityis addressed in thorough detail. In defining this power, Freund specifically utilizes the motifs of sadism, helplessness, and human destruction. Dr.

Gogol embodies these motifs as he attempts to br eak through the love of Yvonne, non through courtship, but rather through the handling of his self-assigned superiority. In staying true to the history of Gothic art, Dr. Gogol overestimates his supremacy, and ultimately loses his look as the victim of his own destruction. Sadism, the most persistent view of power in the film, has been a significant feature of Gothic books and art. As stated by the...If you want to get a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper