Muslim , Ancient Egyptian , and Ancient Greek ArtElisabeth Siddiqui has   indite :  Art is the mirror of a culture and its world   tear .  There is no case to which this statement  more   instanter applies than to the   cheat of the Islamic world   Seeing that Muslims  be believers in only one true God of the universe , they   concord been advised by Prophet Muhammad not to make  ushers of   soldiery beings , for these pictures may often turn out to become idols for  popu later(a) , thereby turning them away from the Lord of the universe .   and then , Islamic  artistry                                                                                                                                                         has foc utilize on anything other than the  gentle  deviseMuslims   arrive used Arabic calligraphy to express their  creativity in countless art works .   Arabic  paw lends itself  toppingly to decorative use   prints Siddiqui .  It is the language of the Qur an even i   f it is used to write something other than the Qur anic verse The choices are limitless .   thence we  find out a beautiful piece of calligraphic art as an inscription on a  work  woodwind  instrument  bloodshed from a door that was made in the late  gallant Islamic period (See Appendix .  The inscription on the panel consists of the signature of its maker .  The script is monumental , with  plumping and  locomote proportions .  The seven words of the inscription are deeply carved in three horizontal registers .  These are  stigmatize against a scrolling leaf background (Late Medieval Period , 2004Contrary to the believers in the  spiritual domain God , the  antediluvian Egyptians were Pharaoh worshippers .  The king of  antiquated Egypt was the Pharaoh who appeared bigger than  action in the art works of the period .  Ti  hunt the Hippopotamus is a wonderful depiction of the  open(a) (See Appendix .   form on a surface of a stone , this is a relief using the typical ancient Egyptia   n  movement of frontalism , in which the hea!   d is drawn in pro  fleck the body is seen from the front .

  In thisISLAMIC ,  superannuated EGYPTIAN , AND  antique GREEK ARTPage 2picture , Ti is enormous as compared to his slaves as  hygienic as the animals .  He is the god of  some(prenominal) slaves and animals , and is therefore shown as a higher(prenominal) being as compared to the lesser beings .  The slaves in the picture are relaxed .  So are the animals .  Moreover , the animals shown are more realistic than all  military personnel , perhaps because of the ambivalence felt by the artist toward  twain the  higher  and the   unhorse beings  within  servicema   ns (Kremen , 1996Lastly , the ancient Greeks , who  withal had plenty of gods and goddesses , downplayed the  betoken aspects of their gods , unlike the Egyptians , by giving their gods a typically human form .  There did not have to be higher or lower beings in ancient Greek art .  Instead , the most perfect of figures created were  acknowledge as gods course .  The ancient Greek civilization enjoyed the  peach of the human form including the naked human form which was admire for its harmonious proportions .  The  body of Apollo is one of the most perfect examples of this art (See Appendix .  make in 2nd century AD...If you  necessity to get a full essay, order it on our website: 
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